Submissions from 2016
Alceste's Return, Andrew Vorder Bruegge
Submissions from 2015
What Are They Learning? Assessing Theatre/Dance Performance Experiences, Andrew Vorder Bruegge and Meg Schriffen
Submissions from 2014
Review of Hillman, Richard. "French Reflections in the Shakespearean Tragic." Manchester: Manchester University Press, 2012, Andrew Vorder Bruegge
Review of The Bible in Shakespeare by Hannibal Hamlin. Oxford: Oxford University Press, 2013., Andrew Vorder Bruegge
Review of "The Norton Anthology of Drama", Andrew Vorder Bruegge
Seventeenth-Century Social Hierarchy and Character Interpretation in "The Country Wife", Andrew Vorder Bruegge
Assessing and Aligning Learning Outcomes from Mission to Individual Assignments, Andrew Vorder Bruegge, Juliette Shelley, and Morenga Hunt
Site Specific Theatre, David Wohl
Submissions from 2013
Overhaul of a Graduate Program in Arts Administration: Repairing an Engine While It’s Still Running, Andrew Vorder Bruegge
Review of "Shakespeare’s Common Prayers: The Book of Common Prayer and the Elizabethan Age," by Daniel Swift. Oxford: Oxford University Press, 2012., Andrew Vorder Bruegge
Submissions from 2012
A Dull Enigma: Historians' Analysis of Gilbert and Sullivan's Impact on the Development of the American Musical, Andrew Vorder Bruegge
Grand Tactical Assessment of Effectiveness, Andrew Vorder Bruegge
Review of "Replaying the Renaissance: Essays on Shakespeare, Jonson, and Others." Arnold Preussner. Kirskville, MO: Naciketas Press, 2010., Andrew Vorder Bruegge
Submissions from 2011
A Dull Engima: Historians’ Analysis of Gilbert and Sullivan’s Impact on the Development of the American Musical Theatre, Andrew Vorder Bruegge
Fighting Blind: Including a Legally Blind Student in Stage Combat Training., Andrew Vorder Bruegge
Review of Ostovich, Helen, Holder S. Syme, and Andrew Griffin, eds. "Locating the Queen’s Men, 1583-1603." Aldershot: Ashgate, 2009., Andrew Vorder Bruegge
Review of Rostas, Susanna. "Carrying the Word: The Concheros Dance in Mexico City." Boulder: University Press of Colorado, 2009., Andrew Vorder Bruegge
The Country Wife, Andrew Vorder Bruegge
Submissions from 2010
Review of Cousins, A. D. and Alison V. Scott, eds. "Ben Jonson and the Politics of Genre," Cambridge: Cambridge University Press, 2009., Andrew Vorder Bruegge
Review of Deats, Sarah M et al. "Placing the Plays of Christopher Marlowe." Aldershot: Ashgate, 2008, Andrew Vorder Bruegge
Stage Combat Choreography for "Romeo and Juliet" at Greenwood Community Theatre, Greenwood, SC, Andrew Vorder Bruegge
Submissions from 2009
'Look at the Moon:' Hunter Hills Theatre: Outdoor Drama in the Smokies., Charlotte Headrick and Andrew Vorder Bruegge
Review of Bradshaw, Graham et al. "The Shakespearean International Yearbook," Vol. 6. Aldershot: Ashgate, 2006, Andrew Vorder Bruegge
The Problem of Tempo: Too Slow, Too Fast, and Just Right, Andrew Vorder Bruegge
The Curious Case of Charles Mee, David Wohl
Submissions from 2007
The Imaginary Invalid: Moliere in a Nutshell, Andrew Vorder Bruegge
Submissions from 2006
Anne Bogart: Theatre Should Explore More and Explain Less, David Wohl and Susan Marrash Minnerly
Submissions from 2005
The Widows of Ashur, Andrew Vorder Bruegge
How'd They Do That? Tips for Playwrights on Scoring a Debut at Humana, David Wohl
Submissions from 2003
Review of The Coast Of Utopia by Tom Stoppard, David Wohl
Submissions from 1999
Review of the 1999 Humana Festival of New American Plays, Actors Theatre of Louisville, David Wohl
Submissions from 1987
Review of The Wooster Group, 1975-1985: Breaking The Rules, by David Savran, David Wohl
Submissions from 1984
Review of North Atlantic by Jim Strahs, performance by The Wooster Group.., David Wohl
