Title of Abstract

A Full View of Sin in Tolstoy’s Anna Karenina

Session Title

Religion and Philosophy

College

College of Arts and Sciences

Department

English

Faculty Mentor

Leslie Bickford, Ph.D.

Abstract

Within literature, a favorable theme, element, and motif is sin. However, as often as sin appears in literature, it is just as common for sin to be portrayed in a shallow form when compared to hamartiology. Hamartiology is the study of sin in theology and philosophy. It is common for literature to focus on a singular concept or facet of sin; thus, sin portrayed in literature is unbiblical or non-theological. However, when criticized from a structural lens, it can be seen that Tolstoy’s use of sin is both biblical and theological from a hamartiological view. The portrayal of sin in Anna Karenina is both realistic and genuine. Among its characters and relationships, readers can see the progression, acts, consequences, and guilt of sin. Moreover, there is a parallel to these acts that clearly reflect and copy the progression, acts, consequences, and guilt of sin of characters in the Bible. The characters specifically being analyzed are Anna and Vronsky. It is in these characters that sin is fully fleshed out and developed. In doing so, Tolstoy creates a story with characters that are remarkably relatable and realistic to the human struggle and existence.

Course Assignment

ENGL 300 – Bickford

Start Date

24-4-2020 12:00 AM

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Apr 24th, 12:00 AM

A Full View of Sin in Tolstoy’s Anna Karenina

Within literature, a favorable theme, element, and motif is sin. However, as often as sin appears in literature, it is just as common for sin to be portrayed in a shallow form when compared to hamartiology. Hamartiology is the study of sin in theology and philosophy. It is common for literature to focus on a singular concept or facet of sin; thus, sin portrayed in literature is unbiblical or non-theological. However, when criticized from a structural lens, it can be seen that Tolstoy’s use of sin is both biblical and theological from a hamartiological view. The portrayal of sin in Anna Karenina is both realistic and genuine. Among its characters and relationships, readers can see the progression, acts, consequences, and guilt of sin. Moreover, there is a parallel to these acts that clearly reflect and copy the progression, acts, consequences, and guilt of sin of characters in the Bible. The characters specifically being analyzed are Anna and Vronsky. It is in these characters that sin is fully fleshed out and developed. In doing so, Tolstoy creates a story with characters that are remarkably relatable and realistic to the human struggle and existence.