Title of Abstract
Transformations: Examining Jo March’s Transmasculine Identity in Little Women
Session Title
Additional Projects
College
College of Arts and Sciences
Department
English
Abstract
In 1868, Louisa May Alcott first published Little Women. While it would later be recognized as an American classic, there has been a great deal of debate over the significance of gender and gender roles in the story. Some scholars have noted the novel’s queer undertones, but most of these interpretations have been limited to exploring queerness through the lens of lesbianism. There has been very little scholarly discussion about the possibility of Jo being transgender or non-binary. In this paper, I utilize traditional interpretations of Jo’s queerness by scholars such as Roberta Seelinger Trites and Ann B. Murphy to argue that feminist readings of Jo as a lesbian rely on essentialist ideas about what it means to be a “woman” after being assigned female at birth. Relying on textual evidence as well as scientific research on the developmental stages of female-to-male transgender youth, I argue that Jo’s gender expression, rather than their sexuality, is at the heart of the character’s queer identity.
Start Date
15-4-2022 12:00 PM
Transformations: Examining Jo March’s Transmasculine Identity in Little Women
In 1868, Louisa May Alcott first published Little Women. While it would later be recognized as an American classic, there has been a great deal of debate over the significance of gender and gender roles in the story. Some scholars have noted the novel’s queer undertones, but most of these interpretations have been limited to exploring queerness through the lens of lesbianism. There has been very little scholarly discussion about the possibility of Jo being transgender or non-binary. In this paper, I utilize traditional interpretations of Jo’s queerness by scholars such as Roberta Seelinger Trites and Ann B. Murphy to argue that feminist readings of Jo as a lesbian rely on essentialist ideas about what it means to be a “woman” after being assigned female at birth. Relying on textual evidence as well as scientific research on the developmental stages of female-to-male transgender youth, I argue that Jo’s gender expression, rather than their sexuality, is at the heart of the character’s queer identity.
